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MBA, Ph.D in Management
Harvard university
Feb-1997 - Aug-2003
Professor
Strayer University
Jan-2007 - Present
  In January 1937, Pablo Picasso accepted Spainâs invitation to provide an artistic entry for the International Exposition in Paris. By then, Spain was already embroiled in civil war, and Hitler and Mussolini were allied with General Francisco Franco. On April 27, as Paris prepared for the exposition that amplified the theme âArt and Technology in Modern Life,â Hitler prepared his air force for aerial combat by bombing a quaint Spanish town -- Guernica. In less than a month from the fairâs opening that would celebrate the worldâs latest innovative progress, more than three hours of target practice killed or injured approximately 1600 Spanish civilians. To this point in his career, Picasso resisted painting works for political persuasion, but this event was too caustic to disregard.
The fair opened on May 25, and the determined Picasso continued to work on his massive mural until it was finished in June. As the image came to life, viewers could see the artistâs bold depiction of his personal reaction to the carnage and devastation of war. While the Aeronautic Pavilion commanded exhilarating ovation for its technological promise, Spainâs entry painfully expressed a contrary consequence from the same engineering advancements. The distressing scene ignited public opinion. Either regurgitating utter distaste for war or being entirely misunderstood and dismissed, the abrasive illustration produced a percussive cacophony that continues to resonate around the world today. Guernica essentially acted as an intellectual counterweight to the fairâs optimistic industrial display and proved that âart and technology in modern lifeâ were equally represented at the event.
Today Guernica is commonly recognized as one of the worldâs most iconic anti-war paintings in history. Retrospectively, the aerospace achievements and the visual masterpiece showcased at the 1937 World Fair in Paris define humankindâs ability to create to magnificent proportions â both positive and negative. Ultimately, the specific objective of the international event was successful in its mission to highlight the eraâs revolutionary ingenuity of enlightened minds.
In a short essay of no more than 500 words, please address each aspect of the following prompt:
 (1) After taking a moment to reflect on Picassoâs Guernica (1937), explain how understanding the context of the piece and the intention behind the artistâs work affects your perception of the paintingâs cultural influence. In your opinion, what impressions of war was Picasso seeking to convey to his audience?
(2) Guernica (1937) garnered little attention while on display during the World Fair in Paris but has since become an iconic symbol for the destruction of war on innocent lives. Do you think Picassoâs assumed political message in Guernica (1937) has any relevance to more recent social, political, or economic events? Please explain your answer using at least one specific example. Â
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